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    The metaverse that breaks down the environmental impact of NFTs

    The metaverse that breaks down the environmental impact of NFTs

    The online universe embraces a new revolutionary technology that would reduce emissions related to the energy consumption necessary to create, sell, register NFTs on the Ethereum blockchain

    The worldwide boom in the Non-Fungible Token market has alerted the community of environmentalists, worried about the impact this rapidly expanding new technology causes: according to some studies, the creation and sale of a single NFT would cost an average of 282 kWh of energy. , equal to 289 kg of Co2 emitted into the atmosphere to produce it, while each subsequent transaction would consume 52 kWh, equivalent to 30 kg of Co2.

    Despite these numbers being discussed in the scientific community and under constant review, it is clear that the success of digital object transactions, which have now exploded not only in the video game market, but also in the Crypto Art market, could soon add further suffering to the planet already strained by global industry emissions.

    Precisely for this reason The Sandbox, the online universe that allows videogame creators, brands, artists and commercial companies, to create 3D virtual worlds and experiences of various kinds, through the purchase and sale of plots of digital land. and various types of objects that fall precisely into the category of NFTs, has chosen to tackle the problem by marrying a new technology called Immutable X.

    This solution would allow to guarantee the registrations on the Ethereum blockchain, to which the NFTs of The Sandbox are linked, compressing the information necessary for the registration itself and consequently reducing the computational effort and the consequent energy consumption required for each single transaction: it has been calculated that using this new technology for the creation of 8 million trading cards of the Gods Unchained video game would reduce consumption from 490 million kWh to just 1030 kWh, with an energy saving equal to 475 thousand times less.

    This solution would thus make it possible to increase the scope of the NFT market, leaving the energy consumption and the consequent environmental impact unchanged, which will in any case be completely eliminated by the company itself, through carbon offsetting carried out through donations for all companies which, as The Sandbox, will base their marketplace on its technology.

    An initiative that in fact in the near future will bring to zero the ecological cost of every creation and transaction of Non-Fungible Token.

    “Our vision is to create through The Sandbox a metaverse that brings together creators and players within a persistent virtual world” says the COO and co-founder of the company Sebastien Borget “but we take into enormous consideration the requests for the protection of the environment. The Sandbox intends to work hard to solve these problems by creating a virtual world populated with digital objects that is also sustainable from an environmental point of view ”.

    For this reason, the metaverse studies the implementation of a software solution that will provide for direct and immediate donation, aimed at carbon offsetting, for each NFT creation and transaction.

    Christie’s: first NFT sold at auction in London for £ 800,000

    The restart of the events in the presence of Christie’s – London, is inaugurated by the auction of the first Non Fungible Token in Europe.

    The protagonist of this new “record” is the famous project of the Yuga Labs collective, Bored Ape Yacht Club (BAYC) which is once again talked about.

    BAYC’s collectibles sold like hot cakes last August with sales of over $ 132 million according to The Block, and this time a new buyer took down three of the roughly 10,000 bored monkeys created so far.

    After a flurry of offers, the triptych of monkeys sold for £ 982,500 (including Buyer’s Premium).

    Recently the Yuga Labs collective signed with the Maverick agency, which represents famous artists such as Britney Spears and Madonna.

    Also according to The Block, Maverick media manager Guy Oseary said, “Many people haven’t heard of Yuga yet, yet they are one of the highest-grossing talents of the year from any art form, including music and cinema. Yuga Labs monkeys and I have a lot of exciting community initiatives and we can’t wait to share them soon. “

    The makers of the Bored Apes would therefore aim to expand and explore the potential of media in different and potential formats such as film, television, music and video games.

    Photo Credits: Yuga Labs –  Mutant Ape Yacht Club Courtesy of Christie’s

    Sotheby’s launches Metaverse, a platform dedicated to digital art on the Blockchain

    News from the digital and NFT world – 18 OCTOBER 2021

    Every day, Art Rights Magazine selects the best news from the world of digital art, to stay up to date!

    SothSotheby’s launches Metaverse, a platform dedicated to digital art on the Blockchain

    Sotheby’s launches Sotheby’s Metaverse, a new platform for digital collectors, offering a curated selection of NFTs chosen by auction house specialists.

    The new marketplace aims to create a virtual collection for the most sought after NFTs, creating a curated selection.

    On Sotheby’s Metaverse, buyers will have to create a personal profile and receive a unique avatar created by the digital artist Pak, and will be able to make payments in crypto or FIAT currency.

    The launch of the platform takes place today 18 October in conjunction with the auction “Natively Digital 1.2: The Collectors” which features 53 works from 19 of the most well-known crypto collectors on the scene.

    These include VerticalCrypto Art, Pablo Rodriguez-Fraile, Pranksy, 888, j1mmy.eth, Seedphrase and WhaleShark, DJ and producer Steve Aoki, heiress Paris Hilton and many others.

    The link between the world of traditional art and NFT is getting stronger and runs at the speed of a transaction on the Blockchain.

    Great expectations, however, for the announcement made via a tweet on the profile of the rival Christie’s who relaunches with “Arcadia” on 20 October.

    Photo Credits: Self Potrait #1, 2020, Dimitri Cherniak

    The first NFT Magazine with a collectible cover is born

    The first NFT Magazine with a collectible cover is born

    The drop is scheduled for November 2, but there is already great anticipation for The NFT Magazine, the first collectible magazine to be read and collected in Ethereum.

    More and more crypto lovers are buying, selling and exchanging NFTs thanks to cryptocurrencies.

    Until now it had been possible to buy NFTs of tweets, highlights of great sporting moments or Crypto Arte: slowly cryptocurrencies are entering more and more people’s lives, now also to read and collect the latest news on this world that runs very fast.

    Today the launch of The NFT Magazine, was announced, the world’s first monthly NFT magazine to collect and read in Ethereum.

    The NFT Magazine will be on sale on Opensea in a limited number of copies.

    The NFT Magazine

    The monthly will be published in 12 “collectible” issues in the form of NFT, with exclusive rankings of the biggest players in the crypto world, market trends, interviews and advice from industry experts.

    Each cover of The NFT Magazine will be created in collaboration with the major international crypto artists, becoming itself an NFT to collect and exchange.

    Only NFT holders will be able to access the exclusive “Readers CLUB” where it will be possible to read the magazine online and actively participate in the decisions of the editorial staff for the creation of the next issue.

    An innovative participatory system for the Community which, among the benefits, will allow access to exclusive content, meetings with artists and professionals, events, dedicated pre-sales and much more.

    Each month in the Magazine there will be analyzes, reports and specials dedicated to the themes of Digital and Crypto Art, NFTs, collectibles, cryptocurrencies, fintech and blockchain.

    The first release is scheduled for November 2, 2021 on the website www.thenftmag.io and distributed on OpenSea.io in a limited edition of only 500 copies at the price of 0.05 Ethereum and in pre-sale for the community of 0.03 ETH.

    From the next issue each month, the edition will increase by 200 copies and will be on sale for a limited period of time; at the end, any remaining copies will be burned in favor of the rarity of the collectible.

    A real “Collectibles Magazine” is born, with the greatest crypto artists, collectors, NFT projects, platforms and market insiders inside and on the cover.

    A long-term project in which the community will participate and which could open up new worlds and scenarios to publishing, now online, but above all entirely crypto.

    The project was carried out in collaboration with ArtRights, Artuu, The Cryptonomist, Phigy, the Poseidon group and Poseidon NFT Fund.

    Artnet Intelligence Report 2021

    Artnet Intelligence Report 2021

    L’edizione 2021 dell’Intelligence Report pubblicato dalla piattaforma Artnet offre una panoramica approfondita del mercato dell’arte attuale e dei futuri sviluppi.

    The 2021 edition of the Intelligence Report published by the Artnet platform offers an in-depth overview of the current art market and future developments.

    The latest edition of the Intelligence Report, produced by the Artnet platform, was conceived during the time window of the “Roaring 2020s”, a period of recovery for the art system and the whole world.

    Despite this, the difficulties were not lacking and at this precise moment everything seems to be unpredictable. Precisely for this reason, imagining what the rest of the decade will be like is a necessary exercise to leave room for optimism and hope.

    The Autumn 2021 Report presents figures of young collectors and artists who are revolutionizing, step by step, the dynamics of the art world: the Korean pop star T.O.P, Mark Grotjahn, Gerhard Richter and Nish McCree.

    Also relevant is the study by Art Business Editor Tim Schneider on the 5 technologies that will change the world of art business by 2030. Among these, augmented reality stands out, a tool already in vogue in galleries and museums.

    The Report offers an accurate market analysis, based on data that highlight current trends, such as NFT sales made by auction houses, and information on the impact that the pandemic has had on the art system.

    A total of $ 7.8 billion was spent on art at auction in the first half of 2021, a staggering 138% increase over the equivalent period last year and 12% over the first six months of the year. 2019.

    The United States leads the way with total art revenue of $ 2.7 billion. But China is closing the gap, consolidating sales with $ 2.4 billion in the first half of 2021.

    The first six months of the year saw online-only sales at the three major auction houses Christie’s, Sotheby’s and Phillips decreased by 25.4% compared to the equivalent period in 2020. The total amount of trade generated exclusively in cyberspace – $ 474 million – is still up by an astonishing 1,239% compared to the first half of 2019.

    Sales of ultra-contemporary art – a term used to identify the work of artists born after 1974 – have soared more than any other genre since the lockdown. From January to June of this year, category sales reached $ 302.6 million, nearly 300% higher than the most recent peak in 2019.

    Which price range is most profitable for auction houses? The biggest piece of the pie remains the one made up of works of art traded between $ 1 million and $ 10 million each.
    Sotheby’s narrowly beat rival Christie’s in total auction sales in the first half of the year. The first generated $ 2.3 billion; the latter, 2.1 billion dollars.

    The real extent of the sales made for Non Fungible Tokens, which continue to be the protagonists of auctions all over the world, still remains to be defined.

    Photo Credits: Artnet

    The new 10D Experience of the Casa Batlló

    The new 10D Experience of the Casa Batlló

    A spectacular visit made thanks to artistic and technological tools such as artificial intelligence.

    Casa Batlló, designed by Antoni Gaudí for a textile industrialist in Barcelona, ​​is an art nouveau jewel with around one million visitors a year, considered an Asset of Cultural Interest (BIC) since 1969 and a UNESCO World Heritage Site since 2005.

    In recent years, to return to its former glory, the house has undergone several restorations and the last of these involved a real digital transformation, all thanks to different tools such as Artificial Intelligence, augmented reality, 3D sound and olfactory interventions.

    The end result is an immersive journey into the mind of Gaudí, which starts from the five human senses and develops into what the design team has defined as the first 10D experience in the world.

    “The new layout of Casa Batlló aims to preserve cultural heritage”, says the Casa Batlló team, “and to renew its narrative by betting on new technologies with the same innovative and disruptive spirit that characterized Antoni Gaudí”.

    The 10D expirience is spread over 2,000 square meters and also includes two new rooms: the Gaudí Dôme, a room with over 1,000 screens that explores the history of the artist and his relationship with nature, and the Gaudí Cube, room where he is present. a six-sided LED cube capable of changing the perception of reality.

    The latter presents the work “In the mind of Gaudí” by the artist Refik Anadol, created thanks to the material stored in the largest digital archive on Gaudí.

    It is not the first time that Casa Batlló has tried its hand at technology. In fact, during the period of forced closures, it created a virtual tour, which offers the opportunity to visit the complete building, or take a detailed visit to the main floor, the attic and the terrace.

    And you, are you ready to immerse yourself in the 10D Experience?

    Man sentenced to 8 years after robbing a Van Gogh and a Frans Hals

    Man sentenced to 8 years after robbing a Van Gogh and a Frans Hals

    The two works together are worth more than $ 20 million, but have not yet been found.

    It happened in the Netherlands, where the Central Court decided to punish a 59-year-old from Baarn with the highest sentence for having “damaged not only the museums concerned, but also society as a whole”

    Nils M. (real name was not disclosed) had stolen the two works from two different museums in similar circumstances in 2020, and was tracked down thanks to surveillance cameras.

    Courtesy of Groningen Museum

    Van Gogh “The Garden of the rectory in Nuenen in spring” (1884)

    The first work was stolen on March 29, 2020 from the Singer Laren Museum two weeks after the forced closure due to the pandemic. Nils had entered around 3 a.m., smashing the reinforced glass doors with a sledgehammer, only to leave with the stolen artwork a few minutes later. The painting, on loan from the Groningen Museum, was insured for a value of $ 2.9 million.

    Courtesy of Museum Hofje van Mevrouw van Aerden

    Frans Hals “Two smiling boys with a jug” (1626)

    Five months later, on August 26, again at 3 am, Nils broke into the Museum Hofje van Mevrouw van Aerden in Leerdam, stealing the work of Frans Hals which, according to the museum itself, is worth 18.7 million dollars and had already been stolen (and found) in 1988 and 2011.

    The Dutch police will now have to investigate to track down the two works, a task far from simple given that Nills totally denies his involvement in the heists.

    What we do know, however, is that allegedly the Van Gogh was bought by Peter Roy K., a Dutch drug kingpin, who would want to use the painting as a “ransom” to get a penalty discount.

    And you, are you curious to find out where these two works ended up?

    Collector Amir Soleymani sues Nifty Gateway

    Collector Amir Soleymani sues Nifty Gatewaymani fa causa a Nifty Gateway

    Art collector Amir Soleymani has decided to sue the well-known Nifty Gateway marketplace following an unusual Beeple auction that ended in May.

    During the sale Solyemani – known as mondoir – participated in a head-to-head with two other bidders to win Abundance, the protagonist work of the auction, which was bought for 1.2 million dollars from what documents attest to be the best bidder, Ethereum co-founder Taylor Gerring (username tgerring).

    After the burning defeat, Soleyemani discovered that the remaining 99 best bidders could have obtained another edition of the work by paying the amount proposed during the auction.

    “Imagine making a bid to win an item, finishing in second place and getting almost the same thing that the third bidder gets, but with a significant difference in the bid amount,” says Soleymani, who was asked to pay $ 650,000 “This auction method maximizes revenue for the platform and artists, but is bad for collectors.”

    Soleymani then refused to pay and the platform decided to block his account and access to his assets, around 100 NFTs.

    This provision was not frowned upon by the collector, who thus initiated legal proceedings both in the United Kingdom and in the United States, the registered office of the marketplace.

    Amir Soleymani claims to have made an offer “with the intention of acquiring the original artwork offered for sale in the auction and not the third or any other edition thereof”, adding that the terms of the auction format adopted by Nifty Gateway are “unfair”.

    The British case, filed with the High Court, argues that the conditions of sale signed in February by the collector were changed in April and that the rules and procedures of the classified auction were not correctly communicated to the bidders before the sale.

    What will Nifty Gateway’s response be?

    The rules of art. A new conference talks about protection, promotion, transmission and technology for art

    The rules of art. A new conference talks about protection, promotion, transmission and technology for art

    On 8 October at the Romanelli Room of the Royal Palace of Caserta the conference “The rules of art. The protection, promotion and transmission of artistic and cultural heritage” will be held with the participation of great professionals.

    The conference, organized by the Territorial Section of Naples of ANCP and coordinated by Avv. Luigi A. M. Rossi, is aimed at fans of the sector: private collectors, gallery owners, art market professionals and asset consultants.

    An opportunity to deepen the main aspects that characterize the art market, from the current regulatory system to fiscal discipline, up to new technologies, to allow the implementation of increasingly conscious forms of collecting and directed towards a shared, public, social use. and above all lasting over time.

    Many professionals involved, moderated by Luigi Maria Rossi, Lawyer, Chartered Accountant, President of the association of asset consultants, real experts in the sector such as the journalist and manager of “Arteconomy24” Marilena Pirrelli who will address the recent evolution of the art market .

    The intervention of Avv. Annapaola Negri-Clementi where rules, risks and above all caution are a must when choosing a new work for your collection.

    The rich program does not lack attention to the tax regime and the management of the collections, with a focus on Corporate Art Collections today and even more present in Italy and abroad.

    Among the speakers involved also Andrea Concas, Art Entrepreneur and Founder Art Rights, with a speech entirely dedicated to technological innovation at the service of art where Blockchain, Crypto Art, NFT and Digital Art will be the fulcrum.

    It is possible to participate in streaming by registering via the following link: https://ancpnapoli.eu/

    Complete program

    Marilena Pirrelli
    JOURNALIST – ARTECONOMY24
    15:00
    THE STATE OF ART: OVERVIEW OF THE ART AND CULTURAL HERITAGE MARKET

    Annapaola Negri-Clementi
    LAWYER
    3:20 pm
    PURCHASE (IN) AWARE OF WORKS OF ART: RULES, RISKS AND CAUTIONS

    Alessandro Montinari
    LAWYER
    3:40 pm
    THE TAX REGIME OF ARTISTIC HERITAGE

    Clarice Pecori Giraldi
    ART COLLECTION MANAGER
    16:00

    MANAGEMENT OF COLLECTIONS OVER TIME
    Roberto Cogliandro
    NOTARY
    4:20 pm
    PRIVATE PATRONAGE AND SUPPORT TO CULTURE

    COFFEE BREAK

    Paolo Gaeta
    CHARTERED ACCOUNTANT
    17:00
    MANAGEMENT AND TRANSMISSION VEHICLES: TRUST AND FOUNDATIONS

    Chiara Paolino
    PROFESSOR AT THE CATHOLIC UNIVERSITY OF THE SACRED HEART
    5:20 pm
    THE CORPORATE ART COLLECTION: THE ROLE OF THE COMPANY IN FAVOR OF ART AND CULTURE

    Andrea Concas
    ART ENTREPRENEUR AND FOUNDER ART RIGHTS
    5:40 pm
    INNOVATION: TECHNOLOGY AT THE SERVICE OF ART AND CULTURAL HERITAGE

    Raffaela Pignetti
    PRESIDENT OF THE ASI CASERTA CONSORTIUM
    18:00
    SUSTAINABLE CULTURAL DEVELOPMENT

    Sasha Vinci
    ARTIST
    6:15 pm
    ARTIST’S TESTIMONIALS: “La Terra dei Fiori” video screening

    Vito Schnabel and Gary Vaynerchuk collaborate on a new NFT platform for artists

    News from the digital and NFT world – 4 October 2021


    Every day, Art Rights Magazine selects the best news from the world of digital art, to stay up to date!

    Vito Schnabel and Gary Vaynerchuk

    Vito Schnabel and Gary Vaynerchuk collaborate on a new NFT platform for artists

    Art dealer Vito Schnabel, computer scientist Gary Vaynerchuk and his brother AJ Vaynerchuk are teaming up to launch ArtOfficial, a new online platform to show and sell NFTs.

    ArtOfficial is the first independent auction site managed by a gallery and each of the NFT works sold on the platform will be accompanied by a live experience.

    The first auction, organized from September 24 to October 4, features four unique NFTs created by the Italian neo-expressionist Francesco Clemente.

    “The times we live in now are being shaped by powerful new tools in the digital realm,” said Vito Schnabel in a statement and continues “This is a profound moment in the evolution of art history,” said Vaynerchuk, “with l digital art and NFTs that inaugurate a paradigm shift “.

    Photo Credits: Francesco Clemente, Milarepa’s Dream (still) (2021).