The interviews of ProfessioneArte.it
Art Rights Prize – The first Digital Prize for Artists
ART RIGHTS PRIZE
The first digital prize for artists
The vision of Art Rights continues in the support of Art and Artists, not only to be a professional tool to support the daily management of their works, but to create opportunities for visibility, meeting and sharing with the community.
This is the reason why Art Rights Prize was born, the first International Virtual Art Prize which is addressed to all Artists, of any age and nationality, who want to participate with works that fall into the following artistic categories: Painting, Photography, Video Art, Digital Art and Street Art.
The Award is organized by the Cultural Association AB Factory with the participation of prestigious partners, together to support emerging and established artists, finding new ways to recognize and reward Art 3.0.
Over 100,000 euros in money and services, as recognition of personal merit and as encouragement in the interest of the community, to support artists of any age and nationality. The Jury composed of 15 experts from the International Art System and Market will select 100 finalist artists and 300 works to be exhibited in an exclusive 3D Virtual Exhibition on the “LIEU.CITY” platform.
Prizes and special mentions are guaranteed for over 30% of the Finalists, assigned by the jury, sponsors and partners of the initiative together with a special “Audience Award” during the 3D Virtual Exhibition.
For the first time the Art Award Finalists’ Exhibition includes the incredible experience of the Virtual in 3D. The exhibition was designed and built by experts in the field with the support of Exhibit Designer Andrea Isola to enhance the exhibition of the finalist works and make the visit for the public unique, to go beyond the physicality.
The Virtual Exhibition in 3D will be accessible via smartphone, tablet, smart tv and computer with the possibility to discover the works of the Finalists among the rooms of the 5 Artistic Categories navigable independently and with extreme simplicity, selecting the preferred works and discovering all the details about the artists and the works.
A unique kermesse, with the opportunity to be part of the Community Art Rights Prize by participating in exclusive talks, meetings, training webinars with the greatest Art Professionals.
And you, are you ready for Art Rights Prize?
SEND NOW YOUR APPLICATION!
Interview with Matteo Liguigli, Director of Liguigli Fine Arts Service – ProfessioneARTE.it
The interviews of ProfessioneArte.it
Interview with Matteo Liguigli, Director of Liguigli Fine Arts Service – ProfessioneARTE.it
Five questions to get a preview of the great art professionals, the daily challenges to be faced, the choices that have determined their path in the art system and market, the digital changes and advice for those who want to undertake the same career in collaboration with ProfessioneARTE.it.
What is the condition report?
WHAT IS THE CONDITION REPORT?
The document to know the state of conservation of a work of art
Among the documents that a careful art collector should keep in their physical and / or digital archive, we find the Condition Report.
But what is it about?
The Condition Report is the document that records the state of conservation of a work of art when it is carefully examined periodically or specifically on the occasion of a loan.
It provides for the compilation, only and exclusively by experts such as Restorers or Conservators, able to carefully check the presence of any physical damage, changes in the state of the material with which the work was made or simply as a periodic check, all with the compilation of a feedback form which is accompanied by a rich photographic reportage and eventual video.
The main functions of the Condition Report are:
- Check the state of conservation of the work during its travels, loans (before and after the exhibition) and sales, for example before an auction;
- Assessing damage and liability in case of damage.
When should a Condition Report be prepared?
- Before each transport of the work of art;
- When the work arrives at its destination in a museum, gallery or collector’s house, the document is updated;
- At the end of an exhibition, before the moment of packaging, to certify the state of the work;
- Upon returning to the starting point.
Among the technical information contained in a Condition Report we find:
- Author and title of the work
- Dimensions (with and without stand)
- Materials and technique
- Any restoration work
- Any conservation interventions, such as cleaning the surfaces from dust
- Complete photographic and / or video report to visually document the state of the work, any intervention moments with details and everything that the professional deems appropriate to attach
For this reason, the Art Manager of Art Rights, a platform for the management and certification of works of art, allows not only Collectors, but also Artists and Professionals in the sector to have a complete digital archive, implementing within the Certificate Art Rights all the technical information related to the Condition Report, always updated in total privacy and security.
And if you need an expert Restorer and Conservator to draw up the Condition Report of your work, consult our Art Concierge section to find the right one for you within the largest community of art professionals.
Photo credits: Lemmens Art Conservation
ART AND REAL ESTATE. A marriage that works by Andrea Concas
ARTE AND REAL ESTATE. A MARRIAGE THAT WORKS
by Andrea Concas
Between the Renaissance in 1400 and the Baroque of 1600, the palaces, both inside the rooms and outside in the facades were decorated with frescoes, tempera, coffered ceilings, sculptures and other artistic decorations.
The artists of these extraordinary works were famous people such as Andrea del Castagno, Paolo Uccello, Raffaello and many others, while the beneficiaries were the great and powerful families such as Lorenzo de’ Medici.
The reasons for these interventions ranged among those to magnify the great families, to revive the cities characterized by the long and rigorous Middle Ages, not neglecting to significantly increase the representative value as the economic value of the property itself.
In recent years, trusting in an innovative spirit close to that of the Renaissance, we see a renewed interest in this precious link between art and real estate!
This link is constantly growing, moving a demand from buyers of real estate, aware that an art intervention can give a significant added value.
It should be immediately pointed out that this relationship can not run on the tracks of improvisation or extemporaneity, on the contrary, it requires special care and attention, including economic, as well as a level of creativity, design and identity very punctual and strong.
Let’s discover together some interesting cases that have seen a positive dialogue between art, urban planning, architecture and real estate development.
The first one dates back to 2012, when the Miami River fair was born in Miami, created to start the redevelopmentof the city’s real estate area in Downtown. The neighborhood in question is Brickell, which overlooks the banks of the Miami River, an area not exactly close to the much busier Miami Beach or the Wynwood District.
The basic choice forthis redevelopment action, from the very beginning, was to unite the urbanized area of Downtown with art, especially during the daysof the Art Basel Miami event among the most important art fairs in the world.
In a short time, this “mixture” has become increasingly important, so much so that it has created real case studies, in particular,on Street Art.
Moreover, if in 2012 the newspaper Il Sole24Ore wrote that the power of Street Art in the revaluation of real estate was underestimated, today the opposite is increasingly the case, as evidenced an article by Silvia Mazzucotelli of the “Center for the Study of Fashion and Cultural Production of the Catholic University of Milan. The research has in fact estimated an increase in real estate prices of up to 20%, on which a redevelopment of neighborhoods with works of urban art has intervened.
And again,according to Collier International Italy some properties, in Bristol and London “signed” by the mysterious and famous street artist Banksy, have increased their value by tens of thousands of pounds.
Also for an artistic intervention of the same street artist from Bristol, Italy, in May 2019 ,on the occasion ofone of his artistic “incursions” at the VeniceBiennale, Banksy realized, on the facade of an uninhabited building for sale in Dorsoduro, thework of the “little migrant” where a child seeks help by signaling his need for help with a lit smoke rocket.
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The real estate agency Engels & Völkers , which was responsible for the sale of the property, said it was thrilled to have been impressed by the Banksy Effect , thanks to which the building, previously valued at just under 1 million euros, reached the incredible figure of 4 million euros, and then even went on to a figure ” on demand”.
Still in the fieldof Street Art, some extraordinary events have happened to the worksof the artist Keith Haring, which have made history. In 1978 he created a work in a former goods depot in the Tribeca district of New York, which was later transformed into luxurious lofts worth 10 million dollars each. One of the owners, duringthe renovation work, brought to light a mural bythe artist , bringing the value of his loft to $12 million.
Also on the occasion of one of his exhibitions in Amsterdam, Haring painted a giant mural that was almost immediately covered with aluminum panels, but after thirty years removed the panels the magnificent discovery of priceless value. And finally, it seems that another of his works has been “forgotten“ on the wall of a house rented to students by the Moratti family in Milan!
Despite the results, not all artists agree on the use of Street Art works in real estate revaluation.
Famous is the case of the street artist Blu, who at the end of 2014 applied the process of “artistic euthanasia” by erasing from the walls of a building in Berlin, in the district of Kreuzberg, the work Brothers and Chain, in controversy with the urban redevelopment project that affected the area.
Art in buildings is not only Street Art, and also in other forms, it is becoming an integral partof residential housing also at the behest of the condominiums themselves , as happened in the city of Campobasso, protagonist of a private project of urban regeneration that combines real estate with art.
The initiative, with the involvement of a local artist, has provided on the facade of the building, 18X15 meters large, an artistic reproduction divided into 164 glass slabs.
A true art facade.
Always in Italy, the artist Flavio Favelli proposes, in Valsamoggia (Bologna), site specific interventions realized with two wall paintings, reproductions of two historical stamps of the “Imperiale” series. The winning intervention of the second edition of Italian Council 2017, conceived by the Directorate General for Contemporary Art and Architecture and Urban Suburbs (DGAAP) – Ministry of Cultural Heritage and Activities and Tourism, has redeveloped the two buildings of the “Casa del Popolo” and miniCop.
Another case is the one involving the artist Ai WeiWei in 2006, who designed a private “art” residence in the Hudson Valley, a few hours from New York, in collaboration with the Swiss company HHF Architects.
“This is a work of art to live in, ” said real estate agent Graham Klemm, so much so that in 2013 the unique design earned the guesthouse an American Architecture Award. The property is now on the market for over $5 million.
Returning to Italy, Law 717/49 provides that a percentage of works for public buildings is destined to works of art, the same, although applied with difficulty, remains a very important rule of principle.
In short, the combination of art and real estate remainsaprairie yet to be explored, an important reserve that, if used in a calibrated way, avoiding that art and architectural solutions enter, unnecessarily, in competition with each other, can give great satisfaction to the real estate sector.
And you, what work of art are you looking at from your window?
Photo Credits: Remko De Waal
Interview with Rossella Novarini, Managing Director at Il Ponte Casa d’Aste – ProfessioneARTE.it
The interviews of ProfessioneArte.it
Interview with Rossella Novarini, Managing Director @ Il Ponte Casa d’Aste – ProfessioneARTE.it
Five questions to get a preview of the great art professionals, the daily challenges to be faced, the choices that have determined their path in the system and in the art market, the digital changes and advice for those who want to undertake the same career in collaboration with ProfessioneARTE.it.
How to archive works of art?
HOW TO ARCHIVE ARTWORKS?
The Art Rights digital management system
New technologies are revolutionizing the way of managing art Archives and collections, in favour of Artists, Collectors, Galleries, Museums and Professionals, with the aim of protecting and enhancing the works.
What are the advantages? Having all the information about the works of art in a single private and secure digital environment, where they can be catalogued and archived together with the complete documentation, from the Certificate of Authenticity, the Condition Reports, together with the Loan or Deposit Agreements to the Press, Online and Catalogues Publications.
A complete and constantly updated archive, wherever you want when you want.
Art Rights offers its users the possibility to create a complete and professional digital archive with its ART MANAGER service.
What is the Art Manager of Art Rights?
It is a management system based on Blockchain technology, which in total privacy, security and autonomy for the Artist, Collector and Professional allows to create a real PASSPORT OF THE WORK OF ART, thanks to the Art Rights Certificate.
The user can enter an unlimited number of works and information, to have them always available on pc, smartphone and tablet.
But how does the Art Manager of Art Rights work?
The user, having chosen the category to which they belong (Artist, Collector, Gallery, Archive, Museum, Auction House, Professional) and completed the registration, can choose to upload information on the work of art in two ways: FAST RIGHTS or INSERT.
FAST RIGHTS is the simplest and fastest procedure to create the Art Rights Certificate and certify the basic information of the artwork in Blockchain.
Too few? Don’t worry, they are always upgradeable whenever you want!
INSERISCI is the standard and complete procedure, which allows you to fill in the Form of the work divided into 10 SECTIONS and 200 FIELDS that can be filled in according to the information you have. Don’t you have all the information or do you want to update it over time? No problem, with the Art Rights Certificate you can do it!
What can you include in your Art Manager?
- WORKS OF ART: main information about your work (year, title, medium, etc.)
- HISTORICAL: to keep track of the entire life cycle of the work
- VALUE: with the economic data of the work, the cost, changes in ownership and valuations
- BOOK&PRESS: with all publications, catalogues, press and releases where your work is involved
- EXHIBITION: with the historian of exhibitions and events
- CONDITION REPORT: to keep track of the physical state of the work, the technical specifications on the materials, together with the documents issued by the experts
- UTILITY&FACILITY REPORT: with the requirements for the exhibition of the work (lighting, microclimate, handling, setting up, etc…).
- LENDING&DEPOSIT: with the history of loans and deposits of the work, together with the active ones
- OTHER: to add all the documents or information that seem important to you about your work
- MULTIMEDIA: images, video or audio of interviews about the artist and the work to make your Art Rights Certificate complete.
Having a complete and always updated digital archive allows Artists, Collectors, and Professionals in the field to manage, protect and enhance the best artworks thanks to the Art Manager of Art Rights.
Photo credits: Norman Rockwell Museum.
Blockchain for Artists
BLOCKCHAIN FOR ARTISTS
Today the Blockchain is increasingly used in the world of art. Artists, in particular, are starting to look at this new technology with more interest, as a tool that can be used in various ways.
Let’s discover which ones…
The Blockchain is a new technology that is configured as a “distributed virtual register” in which information is validated by users and databases from various parts of the world in total respect for privacy. The data is encrypted and associated with a complex alphanumeric code forming incorruptible and traceable chains with proven security.
More simply, the Blockchain is currently the only technology capable of supporting innovation for the world of art.
In particular, for artists, the Blockchain can be used to:
PROVING AUTHENTICITY
The blockchain allows artists to certify the authorship and authenticity of their production by recording the main information of the work of art, such as physical characteristics, year of construction, technique etc.
Art Rights, in particular, thanks to the Art Rights Certificate, uses the Blockchain for this specific purpose, creating a document with full legal value and compliant with the Copyright Law.
ARTWORKS MANAGEMENT
The Blockchain can also be used for the management of works, through the creation of real digital archives, using management software.
Creating a digital archive means, for the artist, protecting their production from any risks of fakes and lack of documentation, keeping all the steps of the works under control, from restoration to sales.
Art Rights is the first platform to use the Blockchain to support art for the management, certification and authentication of works for the protection and favor of artists.
Through a unique information validation system, Art Rights allows artists to create Art Rights Certificates to prove the authorship, provenance and authenticity of their works of art.
With Art Rights you can certify your works and request confirmation of the information from other verified users such as gallery owners, curators and museums by creating a real Passport of the work of art.
And you, are you ready to manage and certify your art?
Interview with Laura Viviani, Fine Art Logistic & Luxury Consultant – ProfessioneARTE.it
The interviews of ProfessioneArte.it
She is Laura Viviani, Fine Art Logistic & Luxury Consultant – ProfessioneARTE.it
Five questions to know in advance the great art professionals, the daily challenges to face, the choices that have determined their path in the art system and in the art market, the digital changes and the advice for those who want to start the same career in collaboration with ProfessioneARTE.it.
6 tips for collectors according to Mary Rozell
6 TIPS FOR COLLECTOR ACCORDING TO MARY ROZELL
How to start collecting art according to an expert
You’ve always wanted to collect art, but you don’t know where to start? Here are suggestions from Mary Rozell, Global Head of UBS Art Collection, for collectors.
An expert in international art collections, Mary Rozell has been the head of the UBS Art Collection since 2015, where she manages the bank’s collection, which to date numbers over 35,000 works, including paintings, photographs, drawings, prints, video installations and contemporary art sculptures, with many masterpieces by Jean-Michel Basquiat, Lucian Freud and Roy Lichtenstein.
According to Rozell there are 6 tips to take your first steps in the world of collecting: here they are!
Collect the art you like and not the market trends
Rule number one: collect the art you are passionate about. Buy only what intellectually stimulates you and visually excites you. Do not follow market trends: art is a passion, before it is an investment.
Take time to research and develop your eye
Before purchasing it is important to do research. Then visit exhibitions in museums and galleries, read and inform as much as possible. Talking to artists and professionals is a great way to get to know the art market in depth.
Managing a collection is no joke
Most collectors think that collecting art is a simple hobby. Actually owning a collection requires a great responsibility and targeted actions for its proper management.
Consider potential challenges, especially when buying new media
Thanks to technological development such as Virtual Reality and Artificial Intelligence, in recent years we have witnessed a boom in new media collecting. However, before buying this kind of art it is important to understand how to preserve it.
Online platforms for a new collection
Following the crisis of COVID-19 the art world has experienced a real digital revolution. The Online Viewing Rooms, fairs and online auctions offered multiple learning opportunities and represented a new frontier for collecting.
Embrace the adventure
One of the most important qualities of a true collector is the willingness to take risks, which often means being able to anticipate the market, being visionary and daring.
Collecting art is not a luxury for the few, but a pleasure granted to everyone, as long as you are aware of the risks and commitments, not only economic, that this practice involves. For this reason there are platforms like Art Rights, able to guide you in the proper management of your collection, especially if you are just starting out.
With the Art Rights platform you will also find the best professions that will help you create your collection, to do so discover the Art Concierge of Art Rights, the largest community of art professionals.
And you, are you ready to start your collection?
Photo Credits: 2016©AntoineBootz